ParticipART – "Tomorrow we'll have a good day". Community-based art project

Authors

  • Abel Arez Escola Superior de Educação do Instituto Politécnico de Lisboa
  • Alfredo Dias Escola Superior de Educação do Instituto Politécnico de Lisboa
  • Joana Matos Escola Superior de Educação do Instituto Politécnico de Lisboa
  • Kátia Sá Escola Superior de Educação do Instituto Politécnico de Lisboa
  • Natália Vieira Escola Superior de Educação do Instituto Politécnico de Lisboa
  • Teresa Matos Pereira Escola Superior de Educação do Instituto Politécnico de Lisboa

DOI:

https://doi.org/10.34639/rpea.v8i1.68

Keywords:

Perfomative Arts, Visual Arts, Community, Memory, Practice-Based Research

Abstract

The text presents the work process developed in the context of project ParticipArt – Creation, Community and Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
Through practices associated with Street Art or Community-based Art, some approaches to local issues were proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

Author Biographies

  • Alfredo Dias, Escola Superior de Educação do Instituto Politécnico de Lisboa

    The text presents the work process developed in the context of project ParticipArt – Creation, Community and
    Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
    Through practices associated with Street Art or Community-based Art, some approaches to local issues were
    proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

  • Joana Matos, Escola Superior de Educação do Instituto Politécnico de Lisboa

    The text presents the work process developed in the context of project ParticipArt – Creation, Community and
    Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
    Through practices associated with Street Art or Community-based Art, some approaches to local issues were
    proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

  • Kátia Sá, Escola Superior de Educação do Instituto Politécnico de Lisboa

    The text presents the work process developed in the context of project ParticipArt – Creation, Community and
    Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
    Through practices associated with Street Art or Community-based Art, some approaches to local issues were
    proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

  • Natália Vieira, Escola Superior de Educação do Instituto Politécnico de Lisboa

    The text presents the work process developed in the context of project ParticipArt – Creation, Community and
    Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
    Through practices associated with Street Art or Community-based Art, some approaches to local issues were
    proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

  • Teresa Matos Pereira, Escola Superior de Educação do Instituto Politécnico de Lisboa

    The text presents the work process developed in the context of project ParticipArt – Creation, Community and
    Development, which took place in historic center of Seixal with the partnership of the Cultural Association L1B. The intervention focused on research about memory of places, workmanship and living experiences of the local community, included the participation of students and graduate students of Visual Arts and Technologies degree, and Artistic and Cultural Mediation degree of Superior School of Education of the Polytechnic Institute of Lisbon.
    Through practices associated with Street Art or Community-based Art, some approaches to local issues were
    proposed. These approaches, within the scope of visual and performative arts (music and theatre), centre around the passing of collective memory of places or labour, taking into account the sharing of social, creative, technical and artistic knowledge as well as the expression of intersubjectivities. In this sense, connections were developed between the subjects of industrial labour memory, rural-urban migrations and collective construction of identities, connected to the places. The work process was developed in articulation with the “Becos e Esquinas” (corners and alleys) project, proposed by L1B e comprehended the making of a multidisciplinary show with the title “Amanhã temos bom dia” (Tomorrow we’ll have a good day) and plural artistic interventions in the urban space.

Published

2018-09-05

Issue

Vol. 8 No. 1 (2018): RPEA

Section

Articles

License

Licença Creative Commons
The work Revista Portuguesa de Educação Artística (Portuguese Journal of Artistic Education) is certified under Licence-Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).