The Anti-Dance Paradox
DOI:
https://doi.org/10.34639/rpea.v9i1.121Keywords:
Dance, Ballet, HistoryAbstract
Between provocation and indifference the so-called non-dance has arisen in the Portuguese Terpsicorean landscape as a fait divers that has not always gone well nor has been taken very seriously. Although, strictly speaking, it is not some kind of “line” of shows that fiercely oppose dance – choreographed and performed by artists trained in academic codes and in which the movement prevails at its base and space goes beyond their minds – the performers end up refusing on stage any kind of “expressive” movement, anchored in physical work and, much less, with some kind of virtuousity.
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The work Revista Portuguesa de Educação Artística (Portuguese Journal of Artistic Education) is certified under Licence-Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).